A concise introduction to French grammar, designed specifically for English-speaking undergraduates. Illustrating each grammatical point with examples from everyday life, it explains the fundamentals in simple terms, contains a range of exercises, and has a clear, user-friendly indexing system. The perfect accompaniment to any first or second year undergraduate course.
In this book Floyd Gray explores how the treatment of controversial subjects in French Renaissance writing was affected by rhetorical conventions and the commercial requirements of an expanding publishing industry. Gray offers new readings of a wide range of discourses on gender issues – misogynist, feminist, autobiographical, homosexual and medical.
With over 50,000 words, phrases, and translations this beginner-level dictionary is the most up-to-date small dictionary of French available.
This dictionary offers over 5000 terms translated to and from English, covering all aspects of business, including office practice, the stock market, international trading, accounting and marketing terminology.
In its scope and inclusiveness, this ambitious volume is far more than a history of the literature of France from its origins to the present day, though it is that too. It is a book that fully registers the impact of post-modern thought upon our understanding of what we mean by ‘literature’ and what historically has been meant by the term. David Coward’s book allows us to see the diverse wealth of French literature, which has been extended and enriched by new Francophone writing in Europe, Canada, the West Indies and North and Sub-Saharan Africa. His history is set in the widest cultural context and links the development of literature to the mentalities and social conditions which produced it. Coward takes us beyond ‘literature’ into the world of the best-seller and, beyond words, to graphic fiction and cinema. In the course of his account he maps the rise of the intellectual, from the time of Dreyfus to the divisions of the 1930s, from the Existentialists to the Post-Structuralists and beyond, and in so doing charts a progression from literary doctrine to critical theory.Whatever the subject in hand, from the ‘feminism’ of the Middle Ages to the Feminism of the present, from the ‘modernism’ of the fifteenth century to the Modernism we associate with Proust and his contemporaries, Coward proves to be a fascinating and inspiring guide. Topics, themes and genres are clearly signposted so that the reader may follow the evolution of theatre, poetry or fiction as well as wider matters such as censorship and writers’ rewards. The text is complemented by a fully comprehensive and reader-friendly index.